Apple Music issued a press release on May 17, 2021 announcing that the “next generation of sound” would arrive for subscribers in June — without any additional cost. Apple Music subscribers can listen to any track, anywhere, in CD fidelity for only $9.95 month. What Apple Music defines as the “next generation” of sound includes support for Spatial Audio in the form of Dolby Atmos and Lossless Audio.
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A number of readers have forwarded links to the video below. In fact, I was in the middle of viewing it when I received a couple of emails. It was produced by a UK-based commentator under the name GoldenSound and it is absolutely spot on in its analysis and conclusion regarding the MQA format. I highly recommend you find 38″ and watch this video.
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I haven’t written about MQA for a while. But a couple of recent articles and some information from a reader make an update timely. I’ve ceased reading or posting comments on FB groups dedicated to MQA or with threads about the process because discussing the science behind it in the hopes of convincing audiophiles that it has no merit is about as successful as convincing a flat Earther (one of my former tenants believes the Earth is flat, so I have some experience in this area) that they live on a sphere.
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It has been a couple of months since my last post. I regret not writing sooner but I have been consumed with responsibilities at the university, studying like crazy for my oral exam and check ride (Private Pilot – Glider Certificate), and dealing with the successful outcome of my recent Kickstarter campaign. If you were not already aware, 375 backers pledged $16,271 to help bring A User Guide to Streaming, Downloads, and Personal Audio to life. I’ve been writing almost everyday and am confident that I can complete the project by the summer 2021 deadline. If you are interested in backing the project, I’m offering a 30% discount coupon (SDPA_NYS_2021) until March 1, 2021. Simply enter the code during check out.
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One of the three primary areas of focus in my upcoming user guide is streaming high-fidelity audio. In today’s blog post, I’d like to delve into the basics of this exciting and relatively new way to listen to music and explore a couple of approaches to hardware and software. I guess the best place to start is by defining a few terms. Streaming audio is delivered via a network…
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I continue to be bombarded — and angered — with bogus cable reviews, audiophile FB group posts and comments about
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It’s finished. The HD-Audio Challenge II, my sabbatical research project from last fall, has run its course. It’s time to
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It’s incredibly gratifying to see the list of submissions for the HD-Audio Challenge II grow past 400! Everyday, my email
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I apologize for failing to issue a post in over a month. Since the first of the year, life has
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My sabbatical is officially over. I returned to the classroom last Tuesday to teach Advanced Audio Recording and Strategies for
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